"In this world nothing can be said to be certain, except death and taxes."Well, this book is not about taxes, and the last time I checked the death rate still averaged about one per person. A curious aspect of the book is that the central figure is never named. The book begins at his funeral, then re-starts with the recollections of Everyman's childhood. The transition is accomplished naturally and smoothly, and is an example of Roth's capable skills as a writer. Oddly enough, there are parallels to my own father in this book. The first is that as a young boy Everyman is hospitalized for a hernia, and next to him is another boy who dies in the middle of the night. This same exact experience happened to my father, where in Minneapolis he was admitted to a hospital (I believe for complications due to asthma) where a young boy in the bed next to him passed away. I think these brushes with death remind us all of how frail and quick life can be.
In my own childhood I had a neighbor kid who I hung out with for a brief time. Oddly enough, I don't remember his name! I suppose forty years of time can do that. Following the method set by Roth, I'll call him Everyboy. Either his family or our family moved, creating the natural rift we all experience when our relational circles change. Word came to me that he had been killed riding his bike, as he was crossing a street a car ran him over. It was an odd moment for me, that I would never ride bikes with him again. Even at that young age (I'm guess I was about 8) I was impacted by death.
Well, so was Everyman. During his childhood he views a dead sailor washed up on the shore being removed by the Coast Guard. Roth then takes us in a jump over time, simply stating without any qualification that 22 years had passed. We journey through Everyman's failed marriages, estrangement from his sons, and both love and envy regarding his brother who exhibited superior health. Through various ailments we hear Everyman's facing his mortality with statements like this:
"...but now eluding death seemed to become the central business of his life and bodily decay his entire story".After his successful career, he takes up a lifelong passion - being an artist. This is the second parallel to my own father. Dad worked at various jobs his whole life, and now is doing what he has always wanted to do - teaching art to children. Everyman offers painting classes to other members in his retirement community, and befriends a woman who bemoans her loss of vitality and is apologetic for the physical needs she has. He tries to comfort her, but 10 days later she commits suicide with an overdose of pain medication. It is an interesting scene, where the one thing that brings relief to her life is also used as the contributor of her death.
As I read through the book, a dawning thought began to take hold of me - the central figure of this book is not Everyman, it is death and its predecessor, the decline of health as age stalks us all. Although Roth does not invest in anthropomorphic comparisions of death, the theme emerges and is always tied to the thoughts, words and actions of the figures in the book.
I suppose that the two great literary themes are love and death. In the book "The Question of God" by Dr. Armand M. Nicholi Jr. postulates a debate between Sigmund Freud and C.S. Lewis. In it Nicholi asks the age old question:
"How do we resolve and come to terms with what Freud called "the painful riddle of death"? Socrates said "the true philosopher is always pursuing death and dying".Roth's answer is that as Everyman is being prepped for yet another surgery, under the effect of the anasthetic; he dreams about the vitality of his youth, the treasure of a summer day at the seashore, the perfect priceless planet that earth is and his excitement and longing to enjoy every day. Roth describes how
"He went under feeling far from felled, anything but doomed, eager yet again to be fulfilled, but nonetheless, he never woke up. Cardiac arrest. He was no more, freed from being, entering into nowhere without even knowing it. Just as he'd feared from the start"
The question we ask is this: if we came from nothing, and we end in nothing, why do our lives mean something? In not only the Christian worldview but other religions as well, death is NOT the end of existence. But Roths seems to think so.
GRADE:
- Literary - A+. Roth communicates his ideas fluidly and cohesively. This is an easy reading book where concepts do not need equivocation.
- Worldview - F. Roth communicates his ideas fluidly and cohesively. Unfortunately, this is not the worldview that I espouse!
